Arting Around…

Took time out to do some arting around last week as there was great stuff to see, children’s books-wise. First stop was the lovely Upon the Wild Waves exhibition at The Long Room in Trinity.  Curated by Pádraic Whyte, it draws on Trinity’s large collection of children’s books to bring us on a journey through myth and legend – Norse, Arthurian, Irish, as well as biblical and classical. It’s been up since October 2014 and runs till April, so you can still just about catch it, if you hurry. Alternatively see the link near the end of this blog.

The two images above are both versions of the same Irish legend – the Táin. One dates from the 12th century and the other from 2006.

It was a delight to see the work of so many masters of illustration in the cases, some featured above (roll over any image for more info/click for a closer look). Hagwitch made it into the exhibition because it features The Children of Lir legend. It is in good company, sharing a case with books by Marie Heaney/PJ Lynch, Malachy Doyle/Niamh Sharkey, and Siobhan Parkinson.

We headed to the Alliance Francaise that evening for talks about the art of the cartoon. It began with a really interesting overview of the history of Belgian cartooning given by Tine Anthoni of the Belgian Comic Strip Centre and ended with a lively discussion on how the art is practised in Ireland today.

comics

On Saturday we went to Dun Laoghaire to attend the Mountains to Sea festival. The children’s lit programme was organised by Sarah Webb, and rather fabulous it was too. We caught two sessions. Trade Secrets: Insights from the Inner World of Writing, was a discussion with David Almond, his editor at Hodder, Anne McNeil, and his agent, Catherine Clarke, led by Elaina Ryan of CBI. I’m a big fan of David Almond’s writing (Skellig, My Name is Mina, Kit’s Wilderness) and hearing him read from his latest book, Song for Ella Grey, was a real treat. He reads his own work so wonderfully, and speaks about writing with huge clarity and a quiet passion.

Sam McBratney reads his work beautifully too – he read Guess How Much I love You for us, which was an unexpected treat. I’m not the only person who hit record on their phone! He was in conversation with Robert Dunbar and a relaxed funny illuminating chat it was. Best known world-wide as the author of the multi-million selling Guess How Much… Sam is well known here for many other works for children and young adults – The Chieftain’s Daughter and Mark Time amongst them – and it was fascinating to hear him discuss his career, his journey as writer, the inspiration behind his work.

IMG_1266 Sam’s silk tie is hand-painted with hares by Anita Jeram. How cool is that?

You can take a VIRTUAL TOUR of the Upon the Wild Waves exhibition here: https://www.tcd.ie/Library/about/exhibitions/wild-waves/ 

illustrator PJ Lynch

illustration by PJ Lynch

You can read about David Almond and Trade Secrets: Insights from the Inner World of Writing here: http://www.irishtimes.com/culture/books/so-you-want-to-write-for-children-an-author-editor-and-agent-offer-their-advice-1.2149833

A Bit of the Old Sod…in Old Salem.

One sunny day in January we walked around the graveyard in Salem, peering at the carvings of skulls and angels on the stones. As always it’s age-at-time-of-death that catches your eye: infants and teenagers, a rare octogenarian. But this graveyard also holds the remains of the witch trials’ judge, John Hathorne (great-great-grandfather of Nathaniel Hawthorne) who unlike some of the other judges, never repented his actions.

On the other side of the graveyard wall is a memorial to those killed in the witch trials, including Elizabeth Howe from Michael’s hometown of Ipswich, and Giles Corey, ‘pressed to death’. It’s impossible not to be moved by the quiet simplicity of the memorial and the horror it represents.

Salem town is  a good place to visit in winter – excellent coffee shops, a fantastic museum (the Peabody) and hardly a tourist (other than ourselves) about. And then there are all the interesting wee shops in the town. A great comic shop we lost at least an hour in, a cute pet shop (The Barking Cat), a shop for Austenites (which unfortunately wasn’t open), and loads of ‘Magic’ shops. Some are very much aimed at the tourists but others are serious witchcraft shops, full of fascinating books (if you happen to be a witch or a children’s writer) and stuff for curing and fixing.

It was minus 12 outside and we seemed to be the only shoppers in town that day, so I suppose we shouldn’t have been surprised at the sour look we got from an owner when the first thing we did on walking into her shop was burst out laughing. We couldn’t help it. Right inside the door was a table loaded down with PEAT BRIQUETTES.

Machine cut and pressed…broken into individual bricks… each with piece of ribbon tied around… labelled ‘Piece of Ancient Irish Bog’… $6.

We swallowed our sniggers and wandered around the dark shop. There was a glass case full of beautiful hand-carved wands which would have been at home down Diagon Alley in Ollivanders’ wand shop. I itched to take a photo but remembered my manners and asked if it was all right to do so. ‘I’d rather you didn’t,’ came the reply. No smile. ‘No problem,’ I said. ‘Thank you for asking,’ she said. But still no smile. I couldn’t really blame her for not smiling; she must have been bored silly sitting in a cold shop all day with no customers. I wandered off to look at some herbal remedies.

‘They sell them in gas stations in Ireland,’ Michael said to the woman. She stiffened.

‘In gas stations,’ said Michael. ‘You know, with bags of coal and logs. We burn them.’ The woman’s eyebrows shot into her hair.

‘He means the peat briquettes,’ I said, suddenly tuning in to what was going on.

‘What?’ she snapped.

‘He’s talking about the turf,’ I said. ‘Not the wands.’

I didn’t dare laugh. At least not until we were half way back to Ipswich.

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Basket Case

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Just back from windy wilds of Connemara where I did a four day course in traditional Irish basket weaving with Ciaran Hogan. I’d made a basket once before – strongish but bockety and a wee bit on the holey side – so my aim this time was to learn to do a better shape and weave.

Ciaran’s a great teacher, very clear, very patient, and generous with his time and energy. We were a class of just seven and he let us go our own way and make different things. Two of the seven had done courses before and they tackled more difficult projects than the rest of us, Ben making an oval shopping basket, Eddie trying his hand at a creel (turf baskets which used to be strapped across donkeys in pairs).

The workshop and (lovely) accommodation are beside scenic Lough na Fooey. The weather pretty much changed on the hour – sunshine, rolling mists, drizzle, sleet and snow. Mobile reception was zero, except for some sweet spot down the road at some wall I never did locate, and the internet was slow. The mountains blocked out the world (which felt good) and the weaving blocked out all of my brain’s incessant inner chatter (even better). It was sort of like meditation with something beautiful and useful to take home at the end!

For larger photos and snippets of info about the basket making click on the first photo and continue clicking the right arrow.

Ciaran runs 4 day courses in Loch na Fooey several times a year, as does his father, master craftsman Joe Hogan. Ciaran also runs 2 day non-residential courses at his workshop at The Craft Village (Ceardlann) in Spiddal.

You’ll find info on his lovely baskets and the next available course here: http://www.ciaranhoganbaskets.com/

And you can see examples of Joe Hogan’s amazing creations here:   http://www.joehoganbaskets.com/portfolio/artistic-baskets/    I guarantee you’ve never seen the like before!

Below are the baskets I came home with. Delighted with them and will definitely be doing another course sometime soon.

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