Teeny Tiny Ting

 

Book

I spotted this tiny handmade book necklace online; I thought it would be nice to wear to book events. When it arrived and I held it in my hand, it occurred to me I could actually draw tiny pictures in it…I drew one and got Michael to draw a couple. When the Emberleys were visiting I asked Ed and Rebecca to add something. Since then I’ve asked several  illustrator friends to draw in it, so now its pages are almost filled with teeny illustrations.

Everyone I ask has the same reaction. They stop – blink – think! It takes a bit of refocusing and mental rescaling to draw something on this tiny canvas.

I was cheeky enough to ask Jim Kay and Mo Willems to draw in it when I attended talks they gave and have every intention of being cheeky a few more times until every page is illustrated – there are a few Irish illustrators I’ve yet to nab. My little necklace has become a favourite treasure – here are some of the images. Look how HUGE my fingers are; these are TINY images!

You can click on any illustration for a larger image, then scroll/click on side to look at the next one, and illustrator’s name should appear too.

All these little illustrations are reproduced with permission and are © of named illustrator.

Brown Bag Tour

 

Messers!

Michael and Dave goofing around in lobby of Brown Bag Studios

We’ve had a long-standing invitation from our pal, David Maybury, to pop into his workplace someday for a tour, and as David works in Brown Bag, the amazing Dublin animation studios, you’d imagine we’d have been in there like a shot. But no. We waited until David was not only about to leave the building, but also the entire country. David has landed himself a fantastic new job with Scholastic in London. We figured we’d better get into Smithfield pretty quick for our personalised tour before the offer expired.

We met loads of lovely talented people and saw lots of great stuff, but we had to be careful not to take photos where anything top-secret was on display – like images from as yet unseen episodes of Henry Hugglemonster, Doc McStuffins, Octonauts, Peter Rabbit, or the brand new, first-aired-the-day-before, utterly adorable Bing.

Here are some things we could photograph!

Brown-Bags

The Brown Bag wall of… brown bags!

Work-station

Derek Horan, one of the three people in Brown Bag who spend all day drawing by hand (meaning he’s a 2D artist in a building where most folk are working 3D). He chatted to us about how much fun he had doing conceptual work on the Hugglemonsters with Niamh (Sharkey) and how it is still quicker to sketch those first ideas out by pencil. As you can see, his work station is a highly personalized and visual space!

Canteen

In the kitchen we met John Huikku, who worked on Frozen. Yep. Frozen. He chatted about working on the movie and told us he used his small son as a basis for the child Kristoff in the opening scenes, something we figure his son will be boasting about forever!

Norton

We said hi to Norton (Rugrats) Virgien who we have only ever met at parties. It seems he does actually work after all! He shares an office with Niamh as they work on the Hugglemonsters together, but, as Tuesday is Niamh’s day off, we had to substitute Henry for her in this pic. (Hi Niamh!)

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We passed through a couple of large spaces with folk busily working on various shows. All those computers and screens make the spaces a little hot, hence the fans. We hung out for a while in one of the editing suites learning about the newest show, Bing. Séamus and Damien talked us through the different stages of development it went through and chatted about getting the details right – the blink of an eye, the light on Bing’s black fur, the squirt of a soap dispenser. We got lots more details about how it developed from children’s picturebook to screen when we met Nicky Phelan, the show’s director.

Nicky

Nicky is also behind the wonderfully anarchical Granny Grim and he directs Octonauts. That chart of descending colours behind Nicky is the time chart for all 70 Bing shows as they travel through production. We got the impression that if the deep red bit had a sound effect, it would go something like ‘AAAAAAAAAAAAAAAAAAAGGGGGGGHHHHH!”

Arthur

And this is Arthur, the very chilled hound who hangs out with the IT crowd!

Stationery & stationary

Aside

So. We’re getting into the flow of this blog now and think we may have found a rhythm – one ‘proper’ post a week, usually on Tuesdays, and one ‘minor’ post – a link to a book we like, an image of a sketch one of us has done, an aside of some sort. The proper post will get SHOUTED OUT on facebook etc; the asides will sit quietly in the blog waiting to be found. Unless you are officially following the blog, in which case you’ll get the usual email nudge.

I’m trying to plot out a new novel idea this week and am going for complete immersion, since I have the place to myself for a few days. I’ve done the washing, the cleaning, filed some older book stuff which has been hanging around my workspace refusing to give way to the New Idea. I’ve gone to the office supply shop and bought the totally necessary New Book Idea stationery: post-its (2 colours), highlighter and pens, note cards, paper, zippy envelopes (3 sizes), special writing notebook. I’ve cleared the desk AND the kitchen table because this is going to be a two surface job.

Stationery

All this circling and preparing is part of the ritual.

I know that.

But at some point I have to get a grip, stop allowing my head to plan wardrobe clear-outs and overhauls of the whole house, stop faffing, stop face-booking, stop blogging, make myself stationary with my new stationery and BEGIN!

Dog Blog

DINO

Dino was my first dog; he took me from my first year in school to my first year in art college. Named after The Flintstones’ pet dinosaur, Dino was a French poodle. His mum belonged to my Uncle Luke and his gran belonged to my Aunty Kate – a dog-family-within-our-family thing which delighted me no end. Dino hasn’t made it into any of my books (yet) but his ability to kill a rat instantly with one lightning snap did, attributed to another (fictional) dog who was based on another (real) dog. Ah, the creative onion!

Dino was loyal and fiercely protective but a wee bit snippy. Our next family dog, Tags, was an old darling.

TagsHe could be a complete nut and whirl around the house like a tornado, or lean his head on your knee and stare lovingly into your eyes. He sat behind my chair every day while I worked. That quiff of hair standing up on the top of his head was the result of all the petting he got from everyone who ever came into the house! Even my dog-phobic friends loved Tags.

Tags made it into a series of English Readers I illustrated in the 1990s. In the books his name was Patch and he was white with brown splotches, but Patch’s shape and personality and goofy grin were all pure Tags.

I cried for weeks after he died. Even dogs who live decent dog-length lives are here for too short a time, but they can still overlap ours significantly. Tags took me from 18 to 31. My mother was only 54 when we got him – which doesn’t seem at all old to me now. By the time Tags died she was 67 and a widow. He was about 4 when my niece Ann was born. Theirs was a mutual adoration club and she was heart-broken when he died.

I considered writing a book about him, following three generations of women through an eventful thirteen year timespan all in the company of a very special mutt. It’s one of those book ideas that never made it from thought to page; I guess I couldn’t face the emotional journey of trying to capture something so personal. If I’d known what a major success a book about a crazy lovable dog could be, maybe I’d have made a little effort! Some day.

Cara

Cara was a rescue dog, and another special hound. Not because he turned out to be an endangered breed, a fact I only discovered when he was 10, but because he, like Tags, had a BIG personality. A personality I tried to catch on paper in my first novel, Timecatcher, where I made him the main character’s dog. He is Duff, the steady friend, the braveheart, and in the end, the hero. Cara died while I was working on the book – that’s five years ago but there are tears in my eyes now as I type.

I painted him into the corner of this endpaper for The New Kid. He’s walking the beach with myself and Michael, off the lead and beside the sea, just as he would have wished.

Endpaper

The other dog who features in The New Kid wasn’t mine; Frankie belonged to a friend. Another rescue mutt, she’d been mistreated and was nervous as hell.

Frankie

Named for Dear Frankie, Ireland’s radio agony aunt of the 60s and 70s, Frankie-the-dog was so nervous she wouldn’t let me touch her and ran away at my approach. Yet she was so anxious to make friends she kept appearing at the door and coming closer, kept fighting her own fear until she was through it and sitting on my lap as I wrote!

Not surprising then that I used her as the dog in a tale about a group of kids working through their fears and worries to make friends with each other.

Oscar,-Frankie

Unfortunately Frankie went missing last year and hasn’t been seen since. But I part-dedicated the book to her, wherever she may be. I part-dedicated Timecatcher to Cara so I guess I’d better get working on books for Tags and Dino if I don’t want to be haunted by some small four-legged ghosts… not that the ghost of a good dog could be a bad thing.

 

Falling in Love at the Hotel Gunter

Me, Richard Peck, Laura Vaccaro Seeger, Michael - Frostburg 2007

Me, Richard Peck, Laura Vaccaro Seeger, Michael – Frostburg 2007

In Maryland, USA, there is a town called Frostburg, and in that town there is a college. And in that college there is a children’s literature department.

The college is twinned with Mary Immaculate College in Limerick and every year a student travels from there to Frostburg to act as an assistant at the children’s lit facility. It was one of these exchange students, Maeve O’ Connell, who suggested to the folks at Frostburg (Dr Bill Bingman and Dr Barbara Ornstein) that they should invite me to speak, so in 2007 I travelled to the USA.

The other children’s authors invited to speak at the conference in 2007 were Laura Vaccaro Seeger, Richard Peck, and a guy called Michael Emberley.

We all hit it off immediately and had a lot of fun chatting at every opportunity. It was a two-day conference and we were kept pretty busy, but on Saturday night we all relaxed at the end-of-conference party at Bill and Karen’s house.

Barbara Ornstein on left, Bill Bingman in pink t-shirt

Barbara on left, Bill in pink t-shirt, Michael, Laura and all the fantastic students at Frostburg

Afterwards myself, Michael and Laura made our way back to our hotel, the gloriously eccentric and historic Hotel Gunter. It was after midnight but we decided to explore the hotel together – we’d all had just enough wine to think we were being quiet as mice.

Our tour began in the basement.

The basement of the Gunter had a bar, a mocked-up coalmine, and many many glass exhibition cases filled with stuffed animals – of both the toy and dead variety. Other cases contained dolls – the kind with eyes that seem to follow you as you move. Another case contained a collection of hats which belonged to a much-loved departed resident of the town.

And there was a prison cell.

A genuine prison cell. The hotel was once an overnight train stop enroute to Washington and a sheriff bringing a prisoner through would lock him/her up and retire to a room upstairs.

We peered through the bars. A life-size body was ‘sleeping’ under a blanket on the bunk, guarded by a life-size stuffed lion who glared out at us.

Up in the lobby we admired the fabulous Gone with the Wind stairs and climbed to the first floor landing where a teddy bears’ picnic was set up on the return. We stuck our noses up against a pair of French doors -locked- which led to the Wedding Room.

Not a room for weddings, a room of weddings. Everything was white. There were hundreds of dolls in wedding dresses but not a groom doll in sight. There were Christmas trees (it was April) smothered in white baubles. In the centre was a table (all white) set for dinner. Basically it was Miss Havisham, without the cobwebs.

We crept up the next flight of stairs passing more doll and teddy bear scenarios, Victorian wall lights, plus some random sinks placed along the corridors. We tiptoed past the ‘Black Room’ – a bedroom dedicated to the memory of a deceased country singer. A Limerick lecturer called Frank was asleep inside now but he had told me that everything in there was black. Black curtains, black bedspread, black four-poster, black shower curtains.

My room on the other hand, was all pink.

Massive four-poster with pink curtains, pink bedspread…you get the picture. Michael, Laura, and myself sat on my pink sofa, had another glass of wine, and talked children’s books for a while more before we called it a night.

Michael, Laura and Richard were leaving for the airport at dawn next morning. I was staying on another two days so I dragged myself out of my pink four-poster to go down to the lobby and say goodbye. Of course there was one person I was particularly sorry to say goodbye to, but I did have this very strong feeling that it wasn’t really goodbye…

Within a week Michael and myself were emailing each other a dozen times a day and within a month I was at Dublin Airport waiting for his plane to land.

Ah, Frostburg and the Hotel Gunter! Where love stories begin…

Fast forward to 2014, and last week we set off for Limerick with Pj Lynch and Siobhán Parkinson in the car. We were all speaking at Mary I’s very first Children’s Lit conference – Buzzing with Books. Siobhán and Pj are also past veterans of Frostburg (1998) and we all reminisced about the town and the wonderful Hotel Gunter.

Limerick 4

We had a great time in Limerick. Mary I’s conference went off with a BANG; hopefully it’s the first of many. Bill and Barbara came over from Maryland, and Maeve O’Connell was there too – our three cupids and ourselves all gathered in the one place again! Apparently our  story is retold at the Frostburg conference every year and they live in hope of inspiring another romance some year soon…

Us with our 3 cupids – Barbara, Maeve and Bill – in Limerick last week

And the car selfie, just for fun!

Michael, Siobhán, Pj, me

Link

Link to interview with Sarah Webb about The New Kid on Writing.ie

CBI Award Winner 2014 Marie-Louise Fitzpatrick

The New Kid, Hodder May 2014

Going on the Telly

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I’m not a natural when a microphone is clipped on me and the cameras are rolling, so it always helps if the interviewers are well prepped and ask decent questions. On Elev8 the interviewers are friendly and easy-going. Between their own researcher Kate and Aoife at CBI they’d been very well-prepared, so it was almost as if Diana and Sean had read Hagwitch themselves and had been following my career for years!

I had fun hanging out in the greenroom with Hannah (another guest on the show) and her mum. Once the show was live I had to go hide inside the ‘lift’ as I was on after the Chatty Chin. I could hear the various interviews with Eoin Colfer, Derek Landy, Sheena, Siobhán and Oliver while I waited for the ping that signaled it was time to emerge into the studio. I kept taking deep breaths and crossed my fingers that the door wouldn’t stick/I wouldn’t fall over the step as I came out.

The questions came thick and fast, We chatted about winning the CBI Book Award for the fourth time, about both strands of the story in Hagwitch – Flea’s story set in the world of the theatre in Tudor London, and Lally’s, set on the Puppet Theatre Barge in modern London. We also talked a bit about my latest picture book, The New Kid. It was fun and it was all over in a flash!

You can watch the 25 min programme here: The CBI award bit is about 2 mins in. Link will work till June 5th.

Irish Legends and Belfast Murals

IMG_1141

Amongst the various murals we were shown in Belfast were these two, standing near each other in Shankill. One shows the Irish hero, Cúchulainn. Apparently he regularly features on murals from both sides of the divide.

‘The image of Cú Chulainn is invoked by both Irish nationalists and Ulster unionists. Irish nationalists see him as the most important Celtic Irish hero, and thus he is important to their whole culture. By contrast, unionists see him as an Ulsterman defending the province from enemies to the south.

Like all Irish folk I know the legend of Cúchulainn from my schooldays; the story of the how the Red Hand became the symbol of Ulster (on the other hand) was new to me. Our taxi driver/guide told us that there are many versions but they all involve a race between two boats.

The boats are racing for the leadership of the province of Ulster -whoever  touches land first will win.  As one boat draws in front the captain of the second ship draws his sword, chops off his own hand and throws it to shore, thus becoming (with his blood -red hand) the first to touch land.

IMG_1140

The end of every row of houses in this Unionist estate are painted. You can see how imposing the murals are – look how tiny Michael is beside that hand. The hand turns up on everything, including Belfast beer!

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Re-booking

Bray-recycling1

Our local recycling centre takes plastic, paper, glass, tins, clothes…and books. It’s always obvious when someone has deposited a whole bookcase worth at once – stacks of similar titles/books by the same authors suddenly appear. This time there was a heap of lives of the saints. I did find a book I fancy reading – A Thousand Days in Tuscany – described by one reviewer as ‘an object lesson in living fully from a genuine sensualist unabashed by her emotions’, so I’m guessing it didn’t once share shelf-space with the Life of Saint Rita.

Last month Michael found Charley Harper’s Golden Book of BIOLOGY. According to the inscription inside it’s a copy someone won as 1st prize for something in Gonzaga College back in 1964. It has that old book smell and the dust jacket is scruffy, but this is a classic from an extraordinary illustrator. It is considered by many to be:

‘a masterpiece – the quintessential mid-century children’s science text. It is widely seen as (Charley Harper’s) magnum illustratus and has been widely influential to two generations of illustrators and designers. Todd Oldham described it as “…one of my favorite things I’ve ever had in my life,” and the illustrator Jacob Weinstein as “the world’s most attractive textbook.”’


Bray-recycling3One person’s recycling, our idea of real treasure! Link to article/illustrations from the book

Bray-recycling2

Beginnings…

The-New-Kid-first-sketches

I got the idea for my latest picture book, The New Kid, when I saw a young girl in our local coffee shop, The Happy Pear. The girl was wearing a grey coat. There was something about the way she seemed to be using it to stay separate, inside her own world, that really struck me. I made a few sketches and went home, where the basic bones of the idea started to come through immediatley. These sketches are dated 3/1/10, four years ago. The book was published yesterday, 1/5/14.

That’s pretty typical of how long it takes for my ideas to go from spark to published – they rumble around in the background waiting their turn as I work on other things. I pick them up every now and then, turn them over, add, subtract, change. The finished art takes me about six to eight months and the publisher takes a year to turn it into a book, so it all adds up. Technically yesterday was my new book’s ‘birth’ day, but really that was 3/1/10. For me, now is when it leaves home and heads off into the world! Safe travels, little book.

The-New-Kid-first-text