Category Archives: Michael Emberley

Snow Queens and Morris Minors

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When Sarah Webb asked Michael and myself to contribute illustrations to Beyond the Stars we were both very pleased to be included and very happy to work on something connected to such a good cause.

I was very flattered and a bit intimidated to be paired with Eoin Colfer on his atmospheric 1950’s set short story The Lookout. I even had a bit of a freak out before I established I could still do the type of realistic style drawings the story seemed to demand – it’s been a long time since I’ve worked in this way and I panicked! In the end I did enjoy doing this drawing of the vintage Morris Minor which features in the story, and I was eyeballing a school yearbook photo of Johnny Cash I pulled from the Internet when I drew the picture of Charley, the young protagonist.

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Michael was paired with Gordon Snell on his story, The Battle of the Ice Queen and he had some fun reimagining the Snow Queen. As you can see here, he avoided the usual blonde, white and skinny vision which is so much part of our European-centric culture.

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Gordon was rather pleased with it!

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Beyond the Beyond

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I’m not sure who was more excited about getting their books autographed the other night at the launch of Beyond the Stars; the punters or the authors and illustrators! Emma Brade, above front row, blue dress, found herself signing books too – she won the writing competition run for 8-16 year olds. The prize? Publication!

Beyond the Stars is a collection of short stories compiled by Sarah (the brave) Webb. Sarah and the folk at Harper Collins UK put twelve authors together with eleven illustrators (Oisin McGann illustrated his own story) and this book is the result. The stories are all set in winter and excellent for dark days under the duvet with a mug of hot cocoa. Best of all the proceeds go to Fighting Words, the creative writing centre here in Dublin. It is aimed at children and young adults and was set up by Roddy Doyle and Sean Love.

The launch featured a question and answer session introduced by Dave O’Callaghan and chaired by Elaina O’ Neill from CBI. Sarah was joined by Niamh Sharkey and Roddy Doyle, and they chatted about the stories, how it all came together (the term ‘herding cats’ was mentioned more than once), and the work done with children and teenagers at the Fighting Words centre.

Dave O’ Callaghan opens the show
Elaina chats with the panel.
Vanessa O’ Loughlin of Writing .ie
Whatever Dave and Aoife are talking about it’s like, ya know, intense?

Like all the other contributors I was anxious to get everyone’s signature on my copy of the book. As we all know each other well you’d think it wouldn’t be a big deal but we were all like, well, kids about it! I was rather star-struck getting Roddy Doyle’s sig, and then, guess what? He asked me (and everyone else) to sign his. Cool or what?

Here we are signing stacks of stock at Eason’s O’ Connell Street.

Michael, Tatyana Feeny, Celine Kiernan, Judi Curtin
PJ Lynch
Olwyn Whelan
Gordon Snell and Marita Conlon McKenna bagged the table.
Beth tried to keep us organised and prevent us from double-signing a stack….
All done, says Oisin

Afterwards we all went to the Gresham, had a few drinks and nibbles, and talked shop (as usual!)

Niamh Sharkey and Dave O’C
Sarah Webb and Gordon Snell
Judi Curtin, Marita Conlon Mc, PJ

Link to book: Beyond the Stars

Link to Fighting Words: http://www.fightingwords.ie/

In the order in which they appear in the book the authors are: Roddy Doyle, Derek Landy, John Boyne, Judi Curtin, Eoin Colfer, Marita Conlon McKenna, Michel Scott, Gordon Snell, Celine Kiernan, Oisín McGann, Siobhán Parkinson, Emma Brade, and the illustrators are: Steve Simpson, Alan Clarke, Paul Howard, Chris Judge, Marie-Louise Fitzpatrick, PJ Lynch, Chris Haughton, Michael Emberley, Tatyana Feeny, Oisín McGann, Olwyn Whelan, Niamh Sharkey

On Friday, a sneak peek at our contributions to the book.

 

The Attendant – London

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We took a trip recently to the UK capital city to meet some book editors and meet up with dear friends and Irish cousins. London is a really great place for wasting time. I stumbled on this little place when on one of my “Michael walks” while Mel was visiting her editor. My walks tend to go in anything but a straight line. I criss cross the back streets, poking my nose down as many trendy mews and brick alleyways as I can.

The Attendant is on a side street in London’s peaceful Fitzrovia area, not far from the roar of Oxford street. It’s an old Victorian underground urinal that has been converted to a coffee shop. The original wrought iron entrance is still there. You must walk down steep steps to get to the small counter and a couple mini seats, so it’s not exactly handicap accessible. But it’s a better place for warm weather anyway, when you can balance your espresso and cake as you negotiate the narrow stairs back up the street. And luckily it was particularly nice weather in London on our visit. IMG_0990Below, the original white porcelain urinals are still there, (looking immaculate I must say) converted now to individual mini counters with green metal stools. The coffee and eats were beyond excellent. If they weren’t I would have not gone back three times… IMG_1017 What illustrator can resist a wall of graffiti at the bottom of the stairs? Here I am stooping to the challenge. Not much on the way of fine art here I must say. IMG_1018 Here is my masterpiece on the only available space, right above the astroturf carpet. This is a kind of affirmation that I can take the pressure drawing in permanent ink in a public place. A few years ago I had the chance to draw on the unfinished wall in the lobby of Knopf publishers in NYC. It was so bad, I drew another one right away, much better, but the only space left was way up high and only seven foot visitors or authors on stilts will ever see it. They’ll just see the horrible, Michael-who-can’t-draw one, at eye level. Sigh. IMG_1019Ta Da! A comfortable looking “Gatto” sipping his latte on a stool. Not bad. Now if I had only drawn this one in New York…Untitled I was able to do a little work outside. on the laptop, when I eventually figured out London Wi-fi through BT. It was terrible. IMG_0989

Random Writers

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London is so saturated in connections to writers and literature you can just walk around and see what the streets throw up at you. We did two trips this year and as well as multiple ads in the underground for The Miniaturist and books by David Levithan (Every Day) we gathered a nice haul of Random Writers. At the Pollock Toy Museum we spotted these  toy soldiers belonging to E.M. Forster (Howards End, Room With a View).

Near our hotel we took a short cut through a cemetery – Bunhill Fields – without realising it is the burial place of many famous folk, including Daniel Defoe, John Bunyan, and William Blake. Mind you, they are a little vague about the exact whereabouts of Blake…

William Blake is somewhere near…
Daniel Defoe (Robinson Crusoe)
John Bunyan (Pilgrim’s Progress)

Baker Street is so full of nods to Sherlock Holmes I’m surprised they haven’t turned it into a theme park!

Even the dry cleaners is getting in on the act…
Look for the image behind the words…
This is from 2011

And this plaque to Beatrix Potter is one we stumbled over in 2011, it’s in Bolton Gardens, Kensington. The house was destroyed in the Blitz.

On our way to a pottery suppliers with our (pottering) friend Ann, we passed a house in Fitzroy Square where both George Bernard Shaw and Virginia Woolf once lived, though not at the same time. While searching for a specialist paper shop near Victoria Station we spotted a former abode of Joseph Conrad.

George Bernard Shaw and Virginia Woolf both lived here
Joseph Conrad – (Lord Jim)
Karen Blixen -fantasy writer best known for Babette’s Feast and her autobiography, Out of Africa

Gatwick Airport threw up one last random writer – Karen Blixen (Isak Dinesen). She was staring from the tail of a plane. I seem to remember from reading Out of Africa that she loved to fly so I’m sure she’d approve of this tribute from the Norwegian Airliner.

Inside the Pollock Toy Museum, Part 4 – War Toys

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For the last Toy Museum post here are some images of toys from the two World Wars, a mixture of comical and poignant.

How insane is this articulated Tommy doll?
Warships and war dolls
That sideways glance…
Jack and Jill go to war

And a couple of Cold War remnants – who can name all the USSR leaders? Note that the tiniest doll is…death!

http://www.pollockstoys.com/

Inside the Pollock Museum, Part 3 – miniature worlds

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Isn’t this a fab lav?

The miniature worlds in the toy museum were enchanting. Ann and myself fell heavily for the tiny grocer’s shop. We cooed over it for about ten minutes.

Michael and Eddie were more interested in the details of a large doll’s house. Below you’ll find images of a silversmith’s shop – remember those are not plastic pieces – a school room, a Noah’s ark, and furniture made from wishbones!!

As always, click on any photo to scroll through larger images. And if you’d like to share/comment the buttons are below. Next blog – War Toys

http://www.pollockstoys.com/

Inside the Pollock Museum, Part 2, the Dolls….

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Visit The Pollock Toy Museum hereDolls. Thousands of ’em. When we stepped from the room at the top of the Victorian house (where Sooty and Sweep are) through the hole in the wall that leads into the Georgian house, we met some seriously scary dolls.

But we’ll start with the lovely/lovable/loved. And there are lots of those, many dolls with really sweet expressions. My absolute favourite was the Japanese doll with the beautiful face, several gorgeous outfits and her own furniture. One of her dressers is real lacquer.

Some of the dolls of old were slightly strange. I remember being fascinated by upside-down dolls when I was a kid, but not wanting to own one. My child’s mind couldn’t fathom playing with a doll with two heads and no legs, because I would always know that there was another half-doll hidden under the skirts. Googling the origins of this particular biracial ‘Topsy-Turvy’ doll made for interesting reading (link). It suggests the earliest versions where home-made ragdolls for black slave children, allowing the child to quickly switch to the white doll in front of the slave-master, who ‘didn’t want the slave children to have dolls that looked like themselves, which would give them a sense of empowerment.’

The Billiken doll was some sort of good luck charm. And then there is the cabbage baby (a sort of jack-in-the-box doll), the vaguely weird squeaky dolls (they look as if they’ve just been told off), and the Fräulein with the come hither pose…click on any photo to see the entire image.

And then.

Then there are the downright frightening. These two share a cabinet. We couldn’t help thinking the smug-faced doll had smashed cracked-faced doll’s head against the glass and now she is forever smiling at the damage done.

Perhaps the wax dolls once had sweet faces but I still can’t help thinking there must have been some traumatized little girls on Christmas days of yore! And what’s going on with the doll in the box? Is she an Ophelia doll??

And this one. Ahhhhh. The eyes. Ahhhhhhhhhhhhhhhhhhhhh!

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Next up, miniature worlds.

Visit The Pollock Toy Museum here

Inside The Pollock Toy Museum, Part 1

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A 4000 yr old articulated toy mouse, recently authenticated.

So on our recent trip to London we finally got inside the Pollock Toy Museum. Eddie, being my cousin Sarah’s boyfriend, was kind enough to offer us a personal tour – an offer he lived to regret as we (Michael, our friend Ann, and myself) were so fascinated by everything it took us a full three and a half hours to travel through the museum. Eddie thinks that may be a record, broken only by a guy some years back who was loitering with criminal intent.

Eddie’s granny put the collection together and it’s housed inside two buildings, one Victorian, one Georgian. The two houses are crammed to the rafters with all sorts of toys from across the world, so many treasures that it will need four blogs to just give you a taste of it! First up a group of photos from across the collection. Click on an image if you’d like to scroll/get more details…have a guess at what those lovely shadow puppets might be made from before you do!

There are hundreds of model trains, cars, trucks from various decades
Robots!
Sarah with Haggis, the museum dog.
Michael, Ann and Eddie in front of the most beautiful rocking horse
Early Meccano, a toy I wanted to ask for as a kid but thought I couldn’t. Because it was a ‘boy’ toy.
The oldest teddy bear
These shadow puppets are very beautiful but definitely lose something when you learn what they are made from. Donkey skin!

Of course we came across toys from our own childhoods. I had a mini meltdown at the case containing Sooty and Sweep. And Soo. For a moment I could see our old black and white telly and my toddler legs in white ankle socks and Jumping Jack shoes sticking out in front of me as I sat on one of the armchairs, watching. In the sixties themed glass case there was a game called Coppit – I remembered the box immediately, and my disappointment on opening it to find that the playing pieces were just cones, not hats with little people attached. And there was Dougal and the Magic Roundabout. I had to explain all the above to Michael and Ann as these were not part of their American childhoods.

Sooty and Sweep and Soo!
No, really! SOOTY. SWEEP. And SOO!
Coppit, originally created in 1927, but this is the 1960s version
Floernce Kate Upton’s Gollys and Dutch dolls, and some of the books she wrote and illustrated.
The Magic Roundabout. Here comes Florence, here comes Zebedee…originally French, narrated by Emma Thompson’s dad, research tells me. Time for Bed.

The Gollywogs – I’m turning pink just typing that- took a bit more explaining. It seems so astonishing now that these toys were a ‘normal’ part of an Irish/UK sixties childhood, as was watching The Black and White Minstrel Show – white women singing and dancing with white men wearing blackface. Some of the many things we didn’t think twice about, just accepted as life as we knew it. Makes me wonder what we do now which will strike us as alien and unacceptable in twenty/thirty years time. Our childhood Gollys were knitted by our mam from patterns in the Woman’s Weekly. Here is Wikipedia’s info on Florence Kate Upton and the history of Golly Dolls.

On Friday, Dolls! The museum is packed with them, the too-beautiful-to-play-with, the much-loved, and the down-right weird.
http://www.pollockstoys.com/

London Street Art

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‘That’s a Bansky,’ I said.

‘Nah’ said Ann and Michael. ‘Can’t be…’

‘I think it is,’ I said.

‘What makes you think that?’

‘Dunno. Looks familiar. Maybe it isn’t.’

Then we noticed there was perspex protecting the piece. Which is kinda ironic, given the message – ‘IF GRAFFITI CHANGED ANYTHING -IT WOULD BE ILLEGAL’. The image – which apparently appeared in Fitzrovia in  2011– has attracted further graffiti, including the badly placed ‘VERY.’ and a sarcastic exchange about said perspex.

The selection of spectacular street art below is stuff we came across in Spitalfields, well worth clicking on to get bigger images.

Arrows shot from a huge bow on opposite roof
Monkey see, Monkey do
check out the bricks on the right
Image in window is scratched out of the white paint in reverse

Below are pieces, old and new, from various places around the city.

Hoarding
Art installations on Whitecross St
Warren Street, Smugglers’ Tavern
Installations on Whitecross St
Tree stump dragon in Vauxhall
Up yours?
Spitalfields bakery

The Quentin Blake Exhibition

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We had a list of things we wanted to do while in London the other week and top of mine was a visit to the Quentin Blake exhibition at the brand new House of Illustration near King’s Cross. Our niece Beth happened to be in the city at the same time and when I mentioned the exhibition she said she’d like to see it too.

It is a small but perfectly formed show, concentrating strongly on a number of books – chief amongst which are Roald Dahl’s The Twits and Danny the Champion of the World, Blake’s Clown, David Walliam’s The Boy in the Dress, and the beautiful and haunting Sad, by Michael Rosen. Blake’s wonderful inky scratches cascade across the walls in the first room, making you feel as if you’ve fallen inside his head! The second room has lots of framed illustrations on the walls, plus cases displaying thumbnail layouts, rough sketches and early character studies, dotted with actual pens, pencils and paints from the artist’s studio. Thrilling! I especially liked the image made for comparing the heights of Sophie, the BFG, and the other giants.

There are insights from Blake about how he approaches each book, whether his own or someone else’s. It was particularly interesting to get an inkling of how he worked with the notoriously difficult Dahl (sounds like a great working relationship), and how he responded to Rosen’s text for Sad, a book written in response to the death of the author’s son. The third room is dedicated to Sad, alone.

Cavemen with crayons
Birds…
Cascade!

It was fun to walk around the exhibition with Beth as she knew all the Dahl books well and was responding to them both as an art history grad, and as favorite childhood reading – see how her eyes are shining at having her photo taken with Matilda! Michael and myself are big fans of Blake’s and it’s fantastic to see the work in the raw. We drank it all up, watched the accompanying short films of Blake speaking about his work, then headed to the ridiculously cool Caravan bar to recover with a late afternoon tipple!

Afterwards, on the way back to the train, we had fun with some the many familiar illustrations decorating the walkway.

Walking with Willy

Walking with Willy the Champ! (Anthony Browne)

QB1Too noisy, ‘Zagazoo’!

The exhibition is on until November 2nd 2014

Link to 2007 article where Quentin Blake talks about illustrating Sad

(Photos mix of ours and Beth O’Rafferty’s)