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About The Belugas are Watching

We write & illustrate children's books, blog a bit, cycle a bit (Michael), & drink coffee a lot, all under the watchful eyes of the belugas.

Autumn Bouquet

Bark

We often use hot colours in illustrations to make something stand out. You know how it works – cool colours recede, warm colours jump forward. Think of Spielberg using the child in the red coat in his black and white film, Schindler’s List, or of paintings of pastoral scenes which use a red roof or a yellow dress to draw your eye.

Sometimes it’s great to really go for it and use loads of hot colours in one image, or even throughout a whole book. These are the colours of powerful emotions; I used them throughout I am I, which is a story about anger and violence. The  palette for it is based on photos I’d taken in Australia’s Red Centre, and Andalucia. Nature is definitely the best starting point for figuring out how to handle fizzing reds, clashing purples and fiery oranges, without ending up in a complete mess!

These photos were all taken in Mount Usher gardens where the gardeners are masters of colour mixing. Click on them for full images.

Tuesday’s bouquet of colour will be from a… street car.

Brooklyn Bouquet

wall-abstract-2 The first of four colour ‘bouquets’.

When we start illustrating a new book we need to chose a palette. We go looking through favourite picturebooks and art books but we also hunt through our photo files. We are always on the look out for colour combinations – harmonious, vibrant, brash, soft – and we often take photos purely for colour. Nature is a great source – obviously – but cities yield  great colour combos too.

Here is a bouquet from Brooklyn.

Click on the images for a closer look at the colours; that urn has mustard peppering its rose pink…

On Friday’s post, an autumn bouquet.

Teeny Tiny Ting

 

Book

I spotted this tiny handmade book necklace online; I thought it would be nice to wear to book events. When it arrived and I held it in my hand, it occurred to me I could actually draw tiny pictures in it…I drew one and got Michael to draw a couple. When the Emberleys were visiting I asked Ed and Rebecca to add something. Since then I’ve asked several  illustrator friends to draw in it, so now its pages are almost filled with teeny illustrations.

Everyone I ask has the same reaction. They stop – blink – think! It takes a bit of refocusing and mental rescaling to draw something on this tiny canvas.

I was cheeky enough to ask Jim Kay and Mo Willems to draw in it when I attended talks they gave and have every intention of being cheeky a few more times until every page is illustrated – there are a few Irish illustrators I’ve yet to nab. My little necklace has become a favourite treasure – here are some of the images. Look how HUGE my fingers are; these are TINY images!

You can click on any illustration for a larger image, then scroll/click on side to look at the next one, and illustrator’s name should appear too.

All these little illustrations are reproduced with permission and are © of named illustrator.

!

Aside

Michael attempts to simultaneously watch Wimbledon and work (computer is on his lap). And yes, he has heard of bifocals!

IMG_0946 IMG_0947

The Chocolate Bees’ Last Wish

Bee-on-head

There once was an old book illustrator who lived in a moss-covered cottage on the east coast of Ireland. One warm June morning, he awoke to find a brown paper parcel outside the front door He picked it up and held it to his ear. It was buzzing, as if it contained a dozen mobile phones all ringing at once. Carefully he unwrapped the parcel, lifted the lid of a decorative gift box and discovered it wasn’t phones, it was bees: several neat rows of curiously round, wingless bees. They smelled lovely, delicious even.

Bee-box

He examined the box more closely. There was a card inside. It read, ’Happy Birthday! Enjoy the chocolate! Your friends at Little Brown’.

Of course – they were chocolate bees! It was a gift from his publishers. The artist was very late delivering his new book. They knew he had a particular weakness for chocolate and they hoped the chocolate bees might inspire him to get his brushes moving faster.

Ah well, he thought to himself, it was unlikely to get him out of his slump, but why not try one? Chocolate was the answer to so many questions after all. It was as he reached for one of the bees that he noticed one of them was missing.

“Conas atá tú?”

The artist jumped. One of the chocolate bees was on his nose, talking to him in Irish!

Bee-on-nose

“Tá mé go maith,” replied the startled artist. “I’m fine, thank you, and you?”

“Well, we’d like to ask you a favour,” said the bee, getting straight to the point. The bee explained to the artist how frustrating it was for bees to be kept prisoners in the dark, with spring upon them, the sun shining, the flowers blooming, and the first tender green leaves filling the trees. Yes, they knew full well they were just chocolate bees, born to be eaten instead of makers of honey, but they were bees just the same. They wanted to experience what it’s like to be real bees, if only briefly.

“As you can see, my friends and I have no wings,” the bee explained. “We cannot float lightly from blossom to blossom gathering sweet nectar like other bees do. Please sir, can you help us? Life is so short. We just want to see something more of the world before it is all over.”

The bee’s speech moved the artist, and despite being hungry, he took pity on them. “Come with me,” he said, after some thought. He placed the bee gently in the palm of one hand and the box with the rest of the bees in the other. “Let’s go for a walk.”

First he carried the bees outside his cottage and showed them the heather in his window box.

Bees-in-heather

Then he took them into the village and let them smell the tender lettuce leaves at the neighbourhood vegetable market.

Bees-in-lettuce

Next he strolled with the chocolate bees to a local garden and took them for a tour, showing the bees all his favourite spots.

He showed them his favourite flowers.

Bee-in-lupins

He showed them Azalea alley.

Bee-in-hair

He showed them the chuckling stream.

Bee-by-river

He even introduced them to the locals.

Bee-meets-Irish-bee

The chocolate bees loved everything. They got so excited the artist almost lost track of them among the colourful flowers. (They could move surprisingly fast considering they had no wings or feet.)

Bees-in-pink-rhodies

Bee-in-garlic2

“It’s so much more beautiful than we ever imagined,” cried the chocolate bees.

In a shady corner of the garden, they spotted a row of little upright stones with lettering on them. “What is this place?” one bee asked.

Bees-contemplate-death

“This is a pet cemetery,” the artist said. He explained how people thought this garden was the perfect spot for their dogs and cats to be after they died.

“I wish we could stay here forever,” sighed another chocolate bee.

A lovely meadow nearby had a sign at the entrance.

Bees-in-bluebells

“What does this say?” the bees asked. The artist raised an eyebrow. One small bee explained, “No one ever bothers to teach chocolate bees to read. They say it’s not worth it – we don’t live long enough.”

The artist paused before speaking, watching the bees all wriggling with excitement and wonder. “The sign says, ‘Special Bee Garden. Welcome all chocolate bees! Welcome home!’”

Bee-on-nose2

“Does it really?” said the bees, who were now buzzing ecstatically, positively humming in the sparkling sunlight. The old artist sat down. The stream was chuckling in the background, the air warm, humid, and heavy with intoxicating perfume from a thousand blossoms. The world was all vibrant colour, all warm light.

Bee-in-rhodiesThe artist didn’t say another word. For the rest of the afternoon he just sat contentedly with the bees, in that beautiful place, in that wonderful, beguiling sunshine, and let them soften slowly, blending into the garden around them, until they were no longer individual bees, but a single swirl of silky liquid chocolate.

The artist licked his fingers, smiled, got slowly to his feet, and went back to work.

Sin é.

All-gone!

 

 

Thanks to Megan and everyone at           Little, Brown Children’s Books, and all the chocolate bees that gave their lives for this story…

 

 

 

Michael has form with small chocolate creatures who arrive in the post…check out his Mouse Tour Of Greystones

Brown Bag Tour

 

Messers!

Michael and Dave goofing around in lobby of Brown Bag Studios

We’ve had a long-standing invitation from our pal, David Maybury, to pop into his workplace someday for a tour, and as David works in Brown Bag, the amazing Dublin animation studios, you’d imagine we’d have been in there like a shot. But no. We waited until David was not only about to leave the building, but also the entire country. David has landed himself a fantastic new job with Scholastic in London. We figured we’d better get into Smithfield pretty quick for our personalised tour before the offer expired.

We met loads of lovely talented people and saw lots of great stuff, but we had to be careful not to take photos where anything top-secret was on display – like images from as yet unseen episodes of Henry Hugglemonster, Doc McStuffins, Octonauts, Peter Rabbit, or the brand new, first-aired-the-day-before, utterly adorable Bing.

Here are some things we could photograph!

Brown-Bags

The Brown Bag wall of… brown bags!

Work-station

Derek Horan, one of the three people in Brown Bag who spend all day drawing by hand (meaning he’s a 2D artist in a building where most folk are working 3D). He chatted to us about how much fun he had doing conceptual work on the Hugglemonsters with Niamh (Sharkey) and how it is still quicker to sketch those first ideas out by pencil. As you can see, his work station is a highly personalized and visual space!

Canteen

In the kitchen we met John Huikku, who worked on Frozen. Yep. Frozen. He chatted about working on the movie and told us he used his small son as a basis for the child Kristoff in the opening scenes, something we figure his son will be boasting about forever!

Norton

We said hi to Norton (Rugrats) Virgien who we have only ever met at parties. It seems he does actually work after all! He shares an office with Niamh as they work on the Hugglemonsters together, but, as Tuesday is Niamh’s day off, we had to substitute Henry for her in this pic. (Hi Niamh!)

hub

We passed through a couple of large spaces with folk busily working on various shows. All those computers and screens make the spaces a little hot, hence the fans. We hung out for a while in one of the editing suites learning about the newest show, Bing. Séamus and Damien talked us through the different stages of development it went through and chatted about getting the details right – the blink of an eye, the light on Bing’s black fur, the squirt of a soap dispenser. We got lots more details about how it developed from children’s picturebook to screen when we met Nicky Phelan, the show’s director.

Nicky

Nicky is also behind the wonderfully anarchical Granny Grim and he directs Octonauts. That chart of descending colours behind Nicky is the time chart for all 70 Bing shows as they travel through production. We got the impression that if the deep red bit had a sound effect, it would go something like ‘AAAAAAAAAAAAAAAAAAAGGGGGGGHHHHH!”

Arthur

And this is Arthur, the very chilled hound who hangs out with the IT crowd!

Stationery & stationary

Aside

So. We’re getting into the flow of this blog now and think we may have found a rhythm – one ‘proper’ post a week, usually on Tuesdays, and one ‘minor’ post – a link to a book we like, an image of a sketch one of us has done, an aside of some sort. The proper post will get SHOUTED OUT on facebook etc; the asides will sit quietly in the blog waiting to be found. Unless you are officially following the blog, in which case you’ll get the usual email nudge.

I’m trying to plot out a new novel idea this week and am going for complete immersion, since I have the place to myself for a few days. I’ve done the washing, the cleaning, filed some older book stuff which has been hanging around my workspace refusing to give way to the New Idea. I’ve gone to the office supply shop and bought the totally necessary New Book Idea stationery: post-its (2 colours), highlighter and pens, note cards, paper, zippy envelopes (3 sizes), special writing notebook. I’ve cleared the desk AND the kitchen table because this is going to be a two surface job.

Stationery

All this circling and preparing is part of the ritual.

I know that.

But at some point I have to get a grip, stop allowing my head to plan wardrobe clear-outs and overhauls of the whole house, stop faffing, stop face-booking, stop blogging, make myself stationary with my new stationery and BEGIN!

Dog Blog

DINO

Dino was my first dog; he took me from my first year in school to my first year in art college. Named after The Flintstones’ pet dinosaur, Dino was a French poodle. His mum belonged to my Uncle Luke and his gran belonged to my Aunty Kate – a dog-family-within-our-family thing which delighted me no end. Dino hasn’t made it into any of my books (yet) but his ability to kill a rat instantly with one lightning snap did, attributed to another (fictional) dog who was based on another (real) dog. Ah, the creative onion!

Dino was loyal and fiercely protective but a wee bit snippy. Our next family dog, Tags, was an old darling.

TagsHe could be a complete nut and whirl around the house like a tornado, or lean his head on your knee and stare lovingly into your eyes. He sat behind my chair every day while I worked. That quiff of hair standing up on the top of his head was the result of all the petting he got from everyone who ever came into the house! Even my dog-phobic friends loved Tags.

Tags made it into a series of English Readers I illustrated in the 1990s. In the books his name was Patch and he was white with brown splotches, but Patch’s shape and personality and goofy grin were all pure Tags.

I cried for weeks after he died. Even dogs who live decent dog-length lives are here for too short a time, but they can still overlap ours significantly. Tags took me from 18 to 31. My mother was only 54 when we got him – which doesn’t seem at all old to me now. By the time Tags died she was 67 and a widow. He was about 4 when my niece Ann was born. Theirs was a mutual adoration club and she was heart-broken when he died.

I considered writing a book about him, following three generations of women through an eventful thirteen year timespan all in the company of a very special mutt. It’s one of those book ideas that never made it from thought to page; I guess I couldn’t face the emotional journey of trying to capture something so personal. If I’d known what a major success a book about a crazy lovable dog could be, maybe I’d have made a little effort! Some day.

Cara

Cara was a rescue dog, and another special hound. Not because he turned out to be an endangered breed, a fact I only discovered when he was 10, but because he, like Tags, had a BIG personality. A personality I tried to catch on paper in my first novel, Timecatcher, where I made him the main character’s dog. He is Duff, the steady friend, the braveheart, and in the end, the hero. Cara died while I was working on the book – that’s five years ago but there are tears in my eyes now as I type.

I painted him into the corner of this endpaper for The New Kid. He’s walking the beach with myself and Michael, off the lead and beside the sea, just as he would have wished.

Endpaper

The other dog who features in The New Kid wasn’t mine; Frankie belonged to a friend. Another rescue mutt, she’d been mistreated and was nervous as hell.

Frankie

Named for Dear Frankie, Ireland’s radio agony aunt of the 60s and 70s, Frankie-the-dog was so nervous she wouldn’t let me touch her and ran away at my approach. Yet she was so anxious to make friends she kept appearing at the door and coming closer, kept fighting her own fear until she was through it and sitting on my lap as I wrote!

Not surprising then that I used her as the dog in a tale about a group of kids working through their fears and worries to make friends with each other.

Oscar,-Frankie

Unfortunately Frankie went missing last year and hasn’t been seen since. But I part-dedicated the book to her, wherever she may be. I part-dedicated Timecatcher to Cara so I guess I’d better get working on books for Tags and Dino if I don’t want to be haunted by some small four-legged ghosts… not that the ghost of a good dog could be a bad thing.

 

Falling in Love at the Hotel Gunter

Me, Richard Peck, Laura Vaccaro Seeger, Michael - Frostburg 2007

Me, Richard Peck, Laura Vaccaro Seeger, Michael – Frostburg 2007

In Maryland, USA, there is a town called Frostburg, and in that town there is a college. And in that college there is a children’s literature department.

The college is twinned with Mary Immaculate College in Limerick and every year a student travels from there to Frostburg to act as an assistant at the children’s lit facility. It was one of these exchange students, Maeve O’ Connell, who suggested to the folks at Frostburg (Dr Bill Bingman and Dr Barbara Ornstein) that they should invite me to speak, so in 2007 I travelled to the USA.

The other children’s authors invited to speak at the conference in 2007 were Laura Vaccaro Seeger, Richard Peck, and a guy called Michael Emberley.

We all hit it off immediately and had a lot of fun chatting at every opportunity. It was a two-day conference and we were kept pretty busy, but on Saturday night we all relaxed at the end-of-conference party at Bill and Karen’s house.

Barbara Ornstein on left, Bill Bingman in pink t-shirt

Barbara on left, Bill in pink t-shirt, Michael, Laura and all the fantastic students at Frostburg

Afterwards myself, Michael and Laura made our way back to our hotel, the gloriously eccentric and historic Hotel Gunter. It was after midnight but we decided to explore the hotel together – we’d all had just enough wine to think we were being quiet as mice.

Our tour began in the basement.

The basement of the Gunter had a bar, a mocked-up coalmine, and many many glass exhibition cases filled with stuffed animals – of both the toy and dead variety. Other cases contained dolls – the kind with eyes that seem to follow you as you move. Another case contained a collection of hats which belonged to a much-loved departed resident of the town.

And there was a prison cell.

A genuine prison cell. The hotel was once an overnight train stop enroute to Washington and a sheriff bringing a prisoner through would lock him/her up and retire to a room upstairs.

We peered through the bars. A life-size body was ‘sleeping’ under a blanket on the bunk, guarded by a life-size stuffed lion who glared out at us.

Up in the lobby we admired the fabulous Gone with the Wind stairs and climbed to the first floor landing where a teddy bears’ picnic was set up on the return. We stuck our noses up against a pair of French doors -locked- which led to the Wedding Room.

Not a room for weddings, a room of weddings. Everything was white. There were hundreds of dolls in wedding dresses but not a groom doll in sight. There were Christmas trees (it was April) smothered in white baubles. In the centre was a table (all white) set for dinner. Basically it was Miss Havisham, without the cobwebs.

We crept up the next flight of stairs passing more doll and teddy bear scenarios, Victorian wall lights, plus some random sinks placed along the corridors. We tiptoed past the ‘Black Room’ – a bedroom dedicated to the memory of a deceased country singer. A Limerick lecturer called Frank was asleep inside now but he had told me that everything in there was black. Black curtains, black bedspread, black four-poster, black shower curtains.

My room on the other hand, was all pink.

Massive four-poster with pink curtains, pink bedspread…you get the picture. Michael, Laura, and myself sat on my pink sofa, had another glass of wine, and talked children’s books for a while more before we called it a night.

Michael, Laura and Richard were leaving for the airport at dawn next morning. I was staying on another two days so I dragged myself out of my pink four-poster to go down to the lobby and say goodbye. Of course there was one person I was particularly sorry to say goodbye to, but I did have this very strong feeling that it wasn’t really goodbye…

Within a week Michael and myself were emailing each other a dozen times a day and within a month I was at Dublin Airport waiting for his plane to land.

Ah, Frostburg and the Hotel Gunter! Where love stories begin…

Fast forward to 2014, and last week we set off for Limerick with Pj Lynch and Siobhán Parkinson in the car. We were all speaking at Mary I’s very first Children’s Lit conference – Buzzing with Books. Siobhán and Pj are also past veterans of Frostburg (1998) and we all reminisced about the town and the wonderful Hotel Gunter.

Limerick 4

We had a great time in Limerick. Mary I’s conference went off with a BANG; hopefully it’s the first of many. Bill and Barbara came over from Maryland, and Maeve O’Connell was there too – our three cupids and ourselves all gathered in the one place again! Apparently our  story is retold at the Frostburg conference every year and they live in hope of inspiring another romance some year soon…

Us with our 3 cupids – Barbara, Maeve and Bill – in Limerick last week

And the car selfie, just for fun!

Michael, Siobhán, Pj, me

Link

Link to interview with Sarah Webb about The New Kid on Writing.ie

CBI Award Winner 2014 Marie-Louise Fitzpatrick

The New Kid, Hodder May 2014